PROJECT DATA
| PROJECT NAME | Tenger Tower · International Centre for Grassland Culture Exchange |
|---|---|
| LOCATION | Hohhot · Inner Mongolia · China |
| DATE | 2017 |
| PROGRAM | international centre for grassland culture exchange · grassland culture foundation · research institute · hotel · offices · conference centre · retail · medical services · public park |
| CLIENT | Shiqi Group · Inner Mongolia · China |
| SIZE | programmed gross floor area approximately 213,300 m² · main building 140,000–200,000 m² · tower height up to 250 m |
| SCOPE | cultural studies and analysis · architecture · urban design · landscape design · concept design |
| TEAM | archimedialab · progressivedesignlab Shanghai |
| STATUS | concept design 2017 |
| CONCEPT | TENGER There is never a present. All there is has already turned to history or merely holds a promise for the future. What we propose is more than a repetition of cultural iconography and symbolism. It is an approach that heralds a new and possible future while remaining, at its core, radically conservative and sustainable. The grasslands of Inner Mongolia are living legacy landscapes, representing the co-evolution of humans and nature not only over thousands, but millions of years. To understand the culture and development of the region, we have to look beyond the last few centuries and consider 65 million years of transformation. Nomadic culture emerged from this landscape and climate. Instead of adapting the land to their needs, people adapted their lives to changing situations, seasons and climate. They moved when the grass was consumed, to summer meadows in summer and winter quarters in winter. By necessity, this way of life was sustainable; it shaped culture and belief. At the core of Mongolian culture are the grassland and Tenger — the sky, heaven. The design does not add symbols and ornament to make a conventional building appear Mongolian. It evolves the forces that shaped the culture into the future. Landscape and tower connect grassland and sky: a new, perhaps radical development rooted in the ancient relationship between land, life and Tenger. The tower becomes a monument not to a fixed image of the past, but to that continuing relationship and its promise for the future. 没有所谓的当下。一切存在，皆已成为历史，或仅仅是对未来的承诺。 我们所提出的，绝非文化符号与象征主义的简单重复。这是一种预示着全新且可能之未来的方法，但在其核心，却又保持着激进的保守与可持续性。 内蒙古草原是活着的历史遗产景观，代表着人类与自然不仅历经数千年、更是数百万年的共同演化。要理解这个地区的文化与发展，我们必须将视线超越过去的几个世纪，去审视六千五百万年的地质蜕变。 游牧文化正是在这种景观与气候中孕育而生的。人们没有让土地去适应自己的需求，而是让生命去适应不断变化的境遇、季节与气候。草尽则徙，夏上夏牧场，冬归冬营地。必然地，这种生活方式是可持续的；它塑造了文化与信仰。 蒙古文化的核心是草原与“腾格里”（Tenger）——天空，上天。本设计绝不通过添加符号与装饰来让一座常规建筑流于表面的蒙古化。它将塑造了这种力量的文化推向未来。景观与塔楼连接了草原与天空：一种根植于土地、生命与腾格里之间古老关系的、全新的、或许是激进的发展。 这座塔楼成为了一座丰碑——它不服务于对过去某个固定的具象，而是致敬那段持续不断的关系，以及它对未来的承诺。 ᠥᠨᠥᠳᠥᠷ ᠬᠡᠮᠡᠬᠦ ᠴᠠᠭ ᠬᠤᠭᠡᠴᠠᠭᠡ ᠬᠡᠵᠡᠭᠡ ᠴᠦ ᠥᠭᠡᠢ᠃ ᠪᠠᠢᠭᠡ ᠪᠦᠬᠦᠨ ᠠᠯᠢ ᠬᠡᠳᠦᠢᠨ ᠲᠦᠦᠬᠡ ᠪᠣᠯᠤᠨ ᠬᠤᠪᠢᠷᠠᠭᠰᠠᠨ ᠡᠰᠡᠪᠡᠯ ᠵᠥᠪᠬᠥᠨ ᠢᠷᠡᠡᠳᠦᠢ ᠢᠨ ᠠᠮᠯᠠᠯᠲᠠ ᠶ᠋ᠢ ᠠᠭᠤᠯᠵᠤ ᠪᠠᠢᠳᠠᠭ᠃ ᠪᠢᠳᠡᠨ ᠦ᠋ ᠰᠠᠨᠠᠯ ᠪᠣᠯᠭᠠᠵᠤ ᠪᠤᠢ ᠵᠦᠢᠯ ᠪᠣᠯ ᠰᠣᠶᠣᠯ ᠦ᠋ᠨ ᠪᠡᠯᠭᠡᠳᠡᠯ ᠪᠠ ᠳᠦᠷᠰᠦᠯᠡᠯ ᠢ᠋ ᠵᠦᠭᠡᠷ ᠨᠢᠭᠡ ᠳᠠᠪᠲᠠᠬᠤ ᠶᠠᠪᠤᠳᠠᠯ ᠪᠢᠰ ᠶᠤᠮ᠃ ᠡᠨᠡ ᠪᠣᠯ ᠴᠣᠣ ᠰᠢᠨᠡ ᠪᠥᠭᠡᠳ ᠪᠣᠯᠣᠮᠵᠢᠲᠤ ᠢᠷᠡᠡᠳᠦᠢ ᠶ᠋ᠢ ᠲᠤᠩᠬᠠᠭᠯᠠᠬᠤ ᠶ᠋ᠢᠨ ᠵᠡᠷᠭᠡᠴᠡᠭᠡ᠂ ᠮᠥᠨ ᠴᠢᠨᠠᠷ ᠲᠤ ᠪᠠᠨ ᠤᠯᠠᠮᠵᠢᠯᠠᠯ ᠢ᠋ ᠡᠷᠰ ᠬᠠᠳᠠᠭᠠᠯᠠᠭᠰᠠᠨ᠂ ᠲᠣᠭᠲᠠᠪᠤᠷᠢᠲᠤ ᠬᠠᠨᠳᠤᠯᠭᠠ ᠶᠤᠮ᠃ ᠥᠪᠥᠷ ᠮᠣᠩᠭᠣᠯ ᠦ᠋ᠨ ᠬᠡᠡᠷ ᠲᠠᠯ ᠪᠣᠯ ᠬᠦᠮᠦᠨ ᠪᠠ ᠪᠠᠢᠭᠠᠯᠢ ᠶ᠋ᠢᠨ ᠬᠠᠮᠲᠤ ᠶ᠋ᠢᠨ ᠬᠤᠪᠢᠰᠠᠯ ᠪᠥᠭᠡᠳ ᠵᠥᠪᠬᠥᠨ ᠬᠡᠳᠦᠨ ᠮᠢᠩᠭᠠᠨ ᠵᠢᠯ ᠪᠤᠰ᠂ ᠰᠠᠶᠡ ᠰᠠᠶᠡ ᠵᠢᠯ ᠦ᠋ᠨ ᠲᠦᠦᠬᠡ ᠶ᠋ᠢ ᠢᠯᠡᠷᠬᠡᠢᠯᠡᠭᠰᠡᠨ ᠠᠮᠢᠳᠤ ᠥᠪ ᠤᠯᠠᠮᠵᠢᠯᠠᠯᠲᠤ ᠯᠠᠨᠳ᠋ᠱᠠᠹᠲ ᠶᠤᠮ᠃ ᠡᠨᠡ ᠪᠦᠰᠡ ᠨᠤᠲᠤᠭ ᠦ᠋ᠨ ᠰᠣᠶᠣᠯ᠂ ᠬᠥᠭᠵᠢᠯ ᠢ᠋ ᠣᠢᠯᠭᠠᠬᠤ ᠶ᠋ᠢᠨ ᠲᠤᠯᠠᠳᠠ ᠪᠢᠳᠡ ᠵᠥᠪᠬᠥᠨ ᠰᠦᠦᠯ ᠦ᠋ᠨ ᠬᠡᠳᠦᠨ ᠵᠠᠭᠤᠨ ᠵᠢᠯ ᠢ᠋ ᠪᠤᠰ᠂ 65 ᠰᠠᠶᠡ ᠵᠢᠯ ᠦ᠋ᠨ ᠬᠤᠪᠢᠷᠠᠨ ᠥᠥᠷᠡᠴᠢᠯᠡᠭᠳᠡᠯ ᠢ᠋ ᠬᠠᠷᠠᠬᠤ ᠶᠣᠰᠣᠲᠠᠢ᠃ ᠨᠦᠦᠳᠡᠯᠴᠢᠨ ᠰᠣᠶᠣᠯ ᠨᠢ ᠡᠨᠡᠬᠦ ᠯᠠᠨᠳ᠋ᠱᠠᠹᠲ᠂ ᠤᠤᠷ ᠠᠮᠢᠰᠬᠠᠯ ᠠᠴᠠ ᠦᠦᠰᠦᠭᠰᠡᠨ᠃ ᠬᠦᠮᠦᠰ ᠭᠠᠵᠠᠷ ᠢ᠋ ᠥᠪᠡᠷᠰᠡᠳ ᠦ᠋ᠨ ᠬᠡᠷᠡᠭᠴᠡᠭᠡ ᠳᠦ ᠨᠡᠢᠴᠡᠭᠦᠯᠦᠨ ᠥᠥᠷᠡᠴᠢᠯᠡᠬᠦ ᠶ᠋ᠢᠨ ᠣᠷᠣᠨ ᠳᠤ᠂ ᠠᠮᠢᠳᠤᠷᠠᠯ ᠢ᠋ ᠪᠠᠨ ᠥᠥᠷᠡᠴᠢᠯᠡᠭᠳᠡᠵᠦ ᠪᠤᠢ ᠨᠥᠬᠴᠡᠯ ᠪᠠᠢᠳᠠᠯ᠂ ᠤᠯᠢᠷᠠᠯ᠂ ᠤᠤᠷ ᠠᠮᠢᠰᠬᠠᠯ ᠳᠤ ᠵᠣᠬᠢᠴᠠᠭᠤᠯᠵᠤ ᠢᠷᠡᠭᠰᠡᠨ᠃ ᠥᠪᠰᠦ ᠤᠷᠭᠤᠮᠠᠯ ᠳᠠᠭᠤᠰᠬᠤ ᠳᠤ ᠲᠡᠳᠡ ᠨᠦᠦᠵᠦ᠂ ᠵᠤᠨ ᠨᠢ ᠵᠤᠰᠯᠠᠩ ᠷᠤᠤ᠂ ᠥᠪᠡᠯ ᠨᠢ ᠥᠪᠡᠯᠵᠢᠶᠡ ᠷᠤᠤ ᠰᠢᠯᠵᠢᠳᠡᠭ ᠪᠠᠢᠪᠠ᠃ ᠵᠠᠢᠯᠠᠰᠢᠭᠦᠢ ᠨᠥᠬᠴᠡᠯ ᠪᠠᠢᠳᠠᠯ ᠦ᠋ᠨ ᠤᠯᠮᠠᠰ ᠠᠴᠠ ᠡᠨᠡ ᠠᠮᠢᠳᠤᠷᠠᠯ ᠦ᠋ᠨ ᠬᠡᠪ ᠮᠠᠶᠠᠭ ᠨᠢ ᠲᠣᠭᠲᠠᠪᠤᠷᠢᠲᠤ ᠪᠠᠢᠭᠰᠠᠨ ᠪᠥᠭᠡᠳ ᠰᠣᠶᠣᠯ᠂ ᠢᠲᠡᠭᠡᠯ ᠦᠨᠡᠮᠰᠢᠯ ᠢ᠋ ᠬᠡᠯᠪᠡᠷᠵᠢᠭᠦᠯᠦᠭᠰᠡᠨ ᠶᠤᠮ᠃ ᠮᠣᠩᠭᠣᠯ ᠰᠣᠶᠣᠯ ᠦ᠋ᠨ ᠴᠥᠮ ᠨᠢ ᠬᠡᠡᠷ ᠲᠠᠯ ᠪᠠ ᠲᠡᠩᠭᠡᠷ ᠶᠤᠮ᠃ ᠡᠨᠡᠬᠦ ᠵᠠᠭᠡᠪᠤᠷ ᠨᠢ ᠡᠷᠭᠢᠯᠲᠡ ᠶ᠋ᠢᠨ ᠨᠢᠭᠡᠨ ᠪᠠᠷᠢᠯᠭᠡ ᠶ᠋ᠢ ᠮᠣᠩᠭᠣᠯ ᠬᠠᠭᠳᠠᠭᠤᠯᠬᠤ ᠶ᠋ᠢᠨ ᠲᠤᠯᠠᠳᠠ ᠡᠯᠳᠡᠪ ᠪᠡᠯᠭᠡᠳᠡᠯ᠂ ᠴᠢᠮᠡᠭᠯᠡᠯ ᠨᠡᠮᠡᠳᠡᠭᠭᠦᠢ᠃ ᠡᠨᠡ ᠪᠣᠯ ᠰᠣᠶᠣᠯ ᠢ᠋ ᠬᠡᠯᠪᠡᠷᠵᠢᠭᠦᠯᠦᠭᠰᠡᠨ ᠬᠦᠴᠦ ᠶ᠋ᠢ ᠢᠷᠡᠡᠳᠦᠢ ᠷᠤᠤ ᠬᠥᠭᠵᠢᠦᠯᠵᠦ ᠪᠤᠢ ᠬᠡᠷᠡᠭ ᠶᠤᠮ᠃ ᠯᠠᠨᠳ᠋ᠱᠠᠹᠲ ᠪᠣᠯᠤᠨ ᠴᠠᠮᠬᠠᠭ ᠨᠢ ᠬᠡᠡᠷ ᠲᠠᠯ ᠪᠠ ᠲᠡᠩᠭᠡᠷ ᠢ᠋ ᠬᠣᠯᠪᠣᠳᠣᠭ᠃ ᠡᠨᠡ ᠪᠣᠯ ᠭᠠᠵᠠᠷ᠂ ᠠᠮᠢᠳᠤᠷᠠᠯ ᠪᠣᠯᠤᠨ ᠲᠡᠩᠭᠡᠷ ᠢ᠋ᠨ ᠬᠣᠣᠷᠣᠨᠳᠣᠬᠢ ᠡᠷᠲᠡᠨ ᠦ᠋ ᠬᠠᠷᠢᠯᠴᠠᠭᠠᠨ ᠠᠴᠠ ᠦᠨᠳᠦᠰᠦᠲᠡᠢ ᠰᠢᠨᠡ᠂ ᠮᠠᠭᠠᠳᠦᠭᠦᠢ ᠡᠷᠰ ᠰᠢᠨᠡᠴᠢᠯᠡᠭᠳᠡᠭᠰᠡᠨ ᠬᠥᠭᠵᠢᠯ ᠶᠤᠮ᠃ ᠴᠠᠮᠬᠠᠭ ᠨᠢ ᠥᠩᠭᠡᠷᠡᠭᠰᠡᠨ ᠦᠶᠡ ᠶ᠋ᠢᠨ ᠲᠣᠭᠲᠠᠭᠰᠠᠨ ᠳᠦᠷ ᠲᠥᠷᠬᠦ ᠶ᠋ᠢᠨ ᠬᠥᠰᠢᠶᠡ ᠳᠤᠷᠰᠠᠭᠠᠯ ᠪᠢᠰ᠂ ᠬᠠᠷᠢᠨ ᠲᠡᠷᠡᠬᠦ ᠦᠷᠭᠦᠯᠵᠢᠯᠡᠭᠰᠡᠨ ᠬᠠᠷᠢᠯᠴᠠᠭᠠ ᠪᠣᠯᠤᠨ ᠲᠦᠦᠨ ᠦ᠋ ᠢᠷᠡᠡᠳᠦᠢ ᠶ᠋ᠢᠨ ᠠᠮᠯᠠᠯᠲᠠ ᠶ᠋ᠢᠨ ᠢᠯᠡᠷᠬᠡᠢᠯᠡᠯ ᠪᠣᠯᠵᠤ ᠪᠠᠢᠨᠠ᠃ |
